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While other drifters and even your ordinary car consumers will retire their cars in a matter of a few years, Abo has owned his R32 for more than 18 years. The rear bumper has seen better days we had a pretty hard wall tap in my ride along , but this R32 was unquestionably one of the coolest cars at the event. We caught up with Abo after he flew back from Japan. Moshi moshi, Abo!

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It seemed like a lark, until I started to realize exactly how much legwork that would entail. Feeling tired yet? What is this brilliant fucking concept, you ask, that demanded new artists and, often, series creator Takashi Shimizu return to this same fucking thing again and again? The end. In 11 movies over 18 years, the JU-ON series has demonstrated an almost zen-like ability to utterly avoid any new ideas whatsoever, in a way which would be almost inspiring were it not so completely soul-deadening to watch.

The second of those two classic characters, incidentally, is Kayako --who we will eventually return to herein-- and obviously this idea that she crawls down stairs and gurgles is so endlessly fascinating it had to be explored in an impressive five remade sequel pairs, and now a crossover spectacular.

And a video game; presumably one where the protagonist walks endlessly around the same dull suburban house and gets meowed at. The movies sort of followed suit: the first sequel, RASEN, gradually dumps most of the mythos established in its predecessor in favor of some kind of crazy sci-fi apocalyptic virus metaphor.

And of course, neither of those two competing series includes either the original Japanese TV production or the Korean version, nor do any of them necessarily directly spring from the five Suzuki novels in the series, the manga, The American RING series, the two TV serieses not to be confused with the TV movie or the two video games.

Let this helpful flow chart from wikipeda sort things out into a nice visually clear… Oh. Believe me, more than once during the many dark hours I spent grinding through GRUDGE sequels, I forgot there was ever once a world of happiness and meaning, let alone a specific reason I was doing this.

I did it. I survived. Oh my sweet salty Jesus, no way in hell was it worth it. Duh, having two essentially identical long-haired female Japanese ghosts who curse you is already a pretty creatively barren idea, and teaming them up has the potential to be a hilariously dire exercise in seeing how much nothing you can put on the screen and still have it add up to nothing. A big part of its success is that it seems to inherently recognize that of our two basically interchangeable long-haired Japanese female ghosts, Sadako is obviously the more dynamic one.

The simplicity of how Kayako and Sadako come to be at odds is a thing of elegant, hilariously blunt beauty.

I love it, and that straightforward desire to entertain and not dither with convoluted bullshit is pretty characteristic of the film as a whole. It gets down to business quick, but with a subtlety playful quality that offers appreciation to the two franchises without necessarily making itself a slave to their more trying aspects. And to give a little much-needed energy, everything is shortened a little; this time around, you only get two days instead of seven before Sadako comes to get you, and the video itself so short that one girl, playing on her phone and looking down, entirely misses it and ends up not being cursed!

When the video finally shows up it turns out to be disappointingly direct no artsy Matthew Barney stuff this time , but at least directness is an improvement over the listless, draggy pace of most of the other movies. Having delivered that final bit of absurdity, the movie quickly dispenses with everyone still alive and drops the mic. Which is probably something both franchises could have used about, oh, I dunno, 5 sequels ago, but is nonetheless welcomed now the audience I saw it with at the AFI Spooky Movie Festival seemed to be having fun, at any rate, even hooting and hollaring a little bit, which would have been pretty much unimaginable in any previous sequel.

To hype the movie, these two titans of horror interrupted a baseball match for a little friendly exposition game, as you can see here.

Because Japan.

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It seemed like a lark, until I started to realize exactly how much legwork that would entail. Feeling tired yet? What is this brilliant fucking concept, you ask, that demanded new artists and, often, series creator Takashi Shimizu return to this same fucking thing again and again? The end. In 11 movies over 18 years, the JU-ON series has demonstrated an almost zen-like ability to utterly avoid any new ideas whatsoever, in a way which would be almost inspiring were it not so completely soul-deadening to watch. The second of those two classic characters, incidentally, is Kayako --who we will eventually return to herein-- and obviously this idea that she crawls down stairs and gurgles is so endlessly fascinating it had to be explored in an impressive five remade sequel pairs, and now a crossover spectacular.

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