AMOR DORMIGLIONE PDF

Samunos For more information, contact us at the following address: The turn in the B section shows how increasingly irritated the singer becomes with Cupid with its contrasting meter and melodic features that create great word painting which is apparent in the A sections as well. Dormiiglione think Strozzi does well in pushing the boundaries of her time as the piece has a relatively Renaissance sound to it. By dormiglikne to use this website, you agree to their use. Strali, strali, foco, strali, strali, su, su, foco, foco, su, su! What I like about this piece is how even though it is in Italian, you can understand that the song is meant to be sort of playful. Not all the material on this website is in the public domain.

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Samunos For more information, contact us at the following address: The turn in the B section shows how increasingly irritated the singer becomes with Cupid with its contrasting meter and melodic features that create great word painting which is apparent in the A sections as well. Dormiiglione think Strozzi does well in pushing the boundaries of her time as the piece has a relatively Renaissance sound to it. By dormiglikne to use this website, you agree to their use. Strali, strali, foco, strali, strali, su, su, foco, foco, su, su!

What I like about this piece is how even though it is in Italian, you can understand that the song is meant to be sort of playful. Not all the material on this website is in the public domain. Menu Skip to content Home About. You are commenting using your Facebook account.

Throughout the piece, the vocal melody is mostly disjunct with its many leaps while the bass line is mostly conjunct as it plays series of chromatic sequences. Notify me of new comments via email. To find out more, including how to control cookies, see here: Leave a Reply Cancel reply Enter your comment here Fill in your details below or click an icon to log in: This website began in dormigliione a personal project, and I have been working on it full-time without a salary since Notify me of new posts via email.

Dormigglione are commenting using your WordPress. Su, su, svegliati omai, che mentre dormi tu dormon le gioie mie, vegliano i guai. The voice sings over a full octave rage throughout the piece and is accompanied by a simple yet also melodic bass line most likely improvised by the accompanist on a type of lute using the provided figured bass, called basso continuo.

FRE List of language codes. Gentle Reminder This website began in as a personal project, and I have been working on it full-time without a salary since O pigro o tardo tu non hai senso, Amor melenso Amor codardo! Email required Address never made public. The bass line is also very supportive of the melody as it ascends and descends with it. This piece embodies monody, one of the new innovative styles of the early Baroque period that features an expressive solo melody with a simple chordal accompaniment.

Piece Review: Amor dormiglione The expressive style of the vocalist and the embellishments that Strozzi wrote make the piece very interesting and enjoyable to listen to as the playful character remains constant throughout the piece. The title translates to Sleepyhead, Cupid, and the lyrics urge Cupid to stop sleeping so he may shoot his arrows of love and stop being lazy. It is illegal to copy and distribute our copyright-protected material without permission.

Our research has never had any government or institutional funding, so if you found the information here useful, please consider making a donation. The piece was written for a solo soprano and a melodic bass instrument. Most Related.

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AMOR DORMIGLIONE PDF

Her work was published prolifically during her lifetime and was essential to the historical development of vocal music and opera beyond the baroque era. Her sensitivity to text and experimentation with form and style offered nuance and a high level of emotional sensitivity to her music. Her birth was illegitimate and her parents never married but her father remained a consistently influential and supportive part of her life and career as a singer and composer. He ensured that she was trained in composition and he provided the texts for her first volume of work. These experiences undoubtedly influenced her ability to compose high level music that would be published during her lifetime.

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